ENES GÜÇ is a Berlin-based director and multidisciplinary artist — a creative powerhouse working at the intersection of film, 3D, and physical media. Known for fusing emotional clarity with visual precision, he creates visually striking, multi-dimensional work that resonates on both sensory and psychological levels.
Before establishing himself as a director, Enes worked as a Creative Director, Art Director, and renowned CGI artist — roles that shaped his technical fluency and sharpened his distinctive creative voice. His foundation in fine arts, from painting and sculpture to digital design, continues to inform the depth and structure of his visual language.
His practice spans personal films, immersive environments, and commercial collaborations, bringing authorship and emotional depth into every process. Recent collaborations include Staatsballett Berlin, Anonymous Club by Shane Oliver Group, Rimowa, Dilara Fındıkoğlu, and Berlin Atonal. His work and collabrations has been featured in Dazed, Vogue, and Nowness, and exhibited at Frieze London, Paris Photo Fair and Julia Stoschek Foundation, among others.
Whether directing film or building visual worlds, Enes brings forward a singular vision — expansive, emotionally charged, and grounded in both aesthetic integrity and technical excellence.
Before establishing himself as a director, Enes worked as a Creative Director, Art Director, and renowned CGI artist — roles that shaped his technical fluency and sharpened his distinctive creative voice. His foundation in fine arts, from painting and sculpture to digital design, continues to inform the depth and structure of his visual language.
His practice spans personal films, immersive environments, and commercial collaborations, bringing authorship and emotional depth into every process. Recent collaborations include Staatsballett Berlin, Anonymous Club by Shane Oliver Group, Rimowa, Dilara Fındıkoğlu, and Berlin Atonal. His work and collabrations has been featured in Dazed, Vogue, and Nowness, and exhibited at Frieze London, Paris Photo Fair and Julia Stoschek Foundation, among others.
Whether directing film or building visual worlds, Enes brings forward a singular vision — expansive, emotionally charged, and grounded in both aesthetic integrity and technical excellence.
PROJECT UPDATES
A performance film created in collaboration with Kiani Del Valle, set to the track Ivy Queen by Kelman Duran. The piece explores the experience of existing within multiple dimensions, weaving together movement, sound, and visual abstraction. Through a synthesis of choreography and cinematic language, the work blurs the boundaries between physical and digital space, reflecting on the fluidity of identity, perception and personal control.
Videography, Editor, Post Production
Visual stillness and sonic subtlety invite the viewer into a suspended moment of reckoning, where perception collapses and control is redefined. Rather than offering narrative closure, the work positions itself in a space of emotional ambiguity. It operates as a visual koan, a container for projection. Less a traditional short film than a psychic imprint, it reveals that what has been sought in external reflections is, in the end, found within.
Director, VFX, Post Production
Creative direction for the Staatsballett Berlin’s 2025/26 season campaign, photographed by Evelyn Bencicova. Working within the framework and visual identity of Staatsballett, I helped developing the concept, styling, set design, and overall mood. The imagery explores the tension between stillness and motion, intimacy and grandeur, capturing the dancers not just as performers, but as symbols of resilience and transformation. While the project was shaped by institutional parameters, the direction aimed to evoke a contemporary sensibility grounded in emotion, discipline, and aesthetic clarity.
Creative Direction
This fashion film, created in collaboration with Josh Johnson and Thilo Garus, translates the brand’s identity into a performative world. The garments are not simply displayed but activated as part of a live, embodied act, blurring the line between fashion presentation and performance. Through movement, rhythm, and atmosphere, the video constructs a distinct visual language that reflects the experimental ethos of Anonymous Club from Shane Oliver Group.
Co-Director, Compositing
The installation, commissioned by the Julia Stoschek Foundation in Berlin, references 3,000-year-old Zoroastrian sky burials, where bodies were placed on open-air platforms (dakhma, or Towers of Silence) to be consumed by vultures and bleached by the sun. Every half hour, sound and light activations lead participants through three types of silence: forced, stoic, and profound. With vibrating subwoofers and shifting lighting the piece pushes perception toward altered states. At its center, a beak-like sculpture, inspired by Iannis Xenakis’s early scores, echoes dramatic rises and falls in the sound composition.
3D Realisation & Production Support
I collaborated with Spustova to bring their sculptural jewelry pieces into a new digital dimension. Each design was carefully reconstructed in 3D to retain the materiality, elegance, and emotional weight of the original objects. The models were created for seamless integration into Spustova’s website, allowing for an immersive and refined presentation that mirrors the brand’s minimal yet sensual visual language.
Full 3D Production
Petra Hermanova and Unguarded announce In Death’s Eyes (UGD-009), the debut solo LP under the artist’s own name. Over nine tracks, Hermanova utilizes autoharp, voice, and pipe organ in techniques from both folk and sacred traditions to grapple with the spiritual and earthly dimensions of devastating loss and bereavement. In a disciplined display of beauty, pain, and astute musicianship, Hermanova brings forth a notable accomplishment of an album. In Death’s Eyes confronts death from start to finish with a rare fervor that leaves one feeling it was utterly necessary for Hermanova to produce - to survive. The art work has been created in collabration with the artist herself and conseptionalized with Evelyn Bencicova.
Concept and Full 3D Production
The music video for Black Glass delves into the transformative power of loss. Accompanying Petra Hermanova’s haunting track, it visualizes the rebirth of a grieving mind, weighed down by unspoken words. Through fire and water—symbols of both destruction and renewal—Güç leads us through a journey of healing, where layers of reality shift and a new-found strength emerges, forging an emotional armour.
Director, VFX, Post Production
Playful visuals for the German suitcase manufacturer, Rimowa, featuring their iconic Essential Suitcases in a promotional series of social media videos.
Art/Creative Direction, Full 3D Production
Saint Dilara Beach Club is a 3D video series, created to promote the Turkish-British designer Dilara Fındıkoğlu’s 2021 swimwear line, envisioning the "Saint Dilara Beach Club" as a fantastical, silvery beach club exclusive to the collection. This surreal summer dream was created in collaboration with Dilara Fındıkoğlu.
Direction and full 3D production.
Commissioned by Beatport, Kinship is a CGI painting featuring artists from the HeSheThey record label, with guest appearances by Peaces. Created in 3D from individual custom 3D scans, the work constructs a collective portrait at the threshold between two worlds. It celebrates a community beyond convention, one that resists fixed definitions and embraces fluid forms of identity and connection.
Main CGI Artist, Full 3D Production